Short comic reviews based on initial, lizard-brain opinions. Arranged from BEST to WORST.
There are probably some minor SPOILERS herein.
Dead, She Said #2 gets an A from Albo
I'm so happy that the second issue of this series kept up everything I enjoyed about the first. Many detective stories will put their protagonist through a lot of pain before the story wraps up, systematically degrading the private dick's body and thus emphasizing their eventual triumph as a result of superior intellect and sheer force of will rather than brute strength. Steve Niles has decided to cut to the chase in this tale, where our lonely detective's body is actually decomposing rapidly due to a little condition called death. Everyone's complaints about the smell aren't keeping him from investigating his own murder, though. It's a really handsome book with fun storytelling, and I really can't recommend it enough to fans of detective stories or horror. Or giant ants (here's looking at you, Kingdom of the Crystal Skull lovers!).
Detective Comics #846 gets a B+ from AHR
Hush is back! *crickets* Oh well, some more details on his origin remind readers why they should care, and all in all this is as clever and satisfying an issue of 'Tec as I've come to expect from Dini.
Reviews for Detective Comics #846, Secret Invasion #3, Final Crisis Requiem, I Hate Giants #1, and Ultimate Origins #2 after the jump!
Young Liars #5 gets a B from Albo
It seems that Young Liars' "Curse of the Sucky Odd Numbered Issues" is finally over! After a miserable #1 and #3 (and a great #2 and #4), this issue came as a huge relief. I can't say it was perfect, since the story as a whole still has me pretty befuddled as to the whys and wherefores, but the scenes within this book were strong enough to make me overlook such vital silly points. It's pretty awesome that we're only in issue five and already there are some major consequences hitting this group of unlikeable protagonists. Oh yeah, that's a problem isn't it? I HATE these people. Even when I like this book I hate it. What's a fanboy to do?
Final Crisis: Requiem gets a C+ from AHR
Funny and sad character moments in the first half, but the second half is a dry, dry history lesson on Martian Manhunter. Big fans of the character might enjoy, I wouldn't know. I do know that DC should have bought the rights to use the brand "Oreo" for this final send off.
I Hate Giants #1 gets a C+ from AHR
High school nerd angst. And not very deep angst at that. Fun art saves it from the discard pile.
Secret Invasion #3 gets a C from Albo
Beautiful to look at, but nothing nothing nothing happens happens happens. Last issue ended with Nick Fury showing up to the fistfight with a big glock, and this issue shows him firing it. This issue ends with SPOILER Captain America and Thor showing up to the fistfight, and I bet next issue will show them punching things. Snorlax. But like I said, Leinil Francis Yu's art is, as always, something to behold.
Ultimate Origins #2 gets an F from Albo
F for who the F cares. F for why waste an Fing issue of your big Fing Ultimate event on a story (Captain America's origin) that we've all read a million Fing times. F for I have so many more bad things to say about this book but I've already wasted too much Fing time on it.
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Summary only...
Short comic reviews based on initial, lizard-brain opinions. Arranged from BEST to WORST.
My Inner Bimbo #5 gets an A from Albo
This book is Sam Keith at his absolute rawest. The pages feature some of his best looking art in years and are densely packed with an incredibly personal story the likes of which I've never read before. Make no mistake, the book is slow going, but it is supremely rewarding. The story follows a sixty-something man who has spent his whole life looking for female approval and whose "femmy" side manifests herself as a "Bimbo," who starts as a sex slave but is always transforming into more mature forms, many of which are decidedly antagonistic. This is the last issue of the series, and I'm not sure if it was popular enough to collect in a trade, so I can't recommend strongly enough that you get out there and try to find some back issues. If you like Sam Keith at all, or are just looking for something completely different from every other book on the shelf, you really shouldn't miss this.
Review for Wolverine #66, Teen Titans: Year One #5, Genius #1, RASL #2, and Cthulhu Tales #3 after the jump!
Wolverine #66 gets an A from Albo
Awesome! The first issue in the "Old Man Logan" story, this book takes place fifty years after the villains finally won. Almost all of the heroes are dead, and the United States have been split into regions controlled by supervillain factions. Logan lives the quiet life of a farmer with a wife and kids (one of which is named Scotty... Awwww), getting by and paying rent to a gang of the Hulk's descendants who ride around in the old Fantasticar. It's a cool post-apocalyptic world, and while it certainly shares the Mad Max aesthetic touchstones that no post-apocalypse can get away from, there are a few cool little touches that separate it from what you've seen before. Anyway, the problems arise when pacifist Logan can't make rent and gets his ass kicked by the gang. His healing factor isn't what it used to be, which introduces some tension that most Wolverine stories don't have--finally the man isn't unbeatable. He has to accept a proposition from Hawkeye to go on a delivery mission for some cash, leaving his family behind. As long as they don't all get slaughtered, thus slinging this story down a cliched path we've all seen before, it should be a fun ride. Oh, did I mention Steve McNiven is a goddamn stunning artist?
Teen Titans: Year One #5 gets an A- from AHR
God the art in this book is fantastic. I can't get over it. Speedy's oval-shaped face and Little Rascals grin. Wonder Girl's continual wonder. The most convincingly handsome version of Green Arrow I've ever seen; let's all welcome Oliver's facial hair to modern times. This could be a picture book, and the story would be as engaging and clear as ever. But what of those word bubbles? I want to like Amy Wolfram's script, because the early-teen exuberance of the characters really does shine through, and it keeps the pace so quick there's little time to dwell on how clunky some of the dialogue feels. There's also some serious editorial problems in this book, from typos to lines that really needed another pass for clarity of action's sake. I also really wish that last panel was silent. Still the best looking book in comics today, anyone interested in cartooning or illustration must pick it up if only to steal from it.
Genius #1 gets a B from Albo
One of Top Cow's six "Pilot Season" comics, from which two will be voted "By You!" to become ongoing series. This is the first I've read, and it's pretty damn good. The pleasing art consists of nice clean cartoony line work (think a less pretty Karl Kerschl) with mostly subtle colors and just a few too many Photoshop tricks thrown in. The story is pretty original, about a physically diminutive but mentally colossal woman organizing street gangs into an all out war with the police. There's some connection between her and a cop that is trying to convince his superior officers that this is coming, but it's left unclear what that connection is in this ish. Definitely a fresh story, hopefully we'll be seeing more of it!
RASL #2 gets a B- from AHR
This is one moody book. I like the wordless and paranoia-inspiring walks around town, but Smith spends more than half the book having character engage in conversation about the very basics of parallel universes. Why? I don't think it's a difficult concept for most comic fans to grasp. The text of these conversations offer little in the way or new ideas or character development, but from an art standpoint it is nice to watch Smith do some fairly detailed work with his characters facial expression. It's a whole lot of close-ups, and the level of detail Smith puts into communicating their thoughts in their expressions is impressive to observe, but without an interesting plot to sink my teeth into it still feels like an illustration exercise.
Cthulhu Tales #3 gets a D from Albo
So I think my three month love affair with Cthulhu is over. The first story in this book is honestly some of the worst crap I've paid for in a long time. Actually, you know what? All three of these stories are some of the worst crap I've paid for in a long time. Pointless tales + sub-par art - $3.99 = one unhappy Albo.
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Summary only...
Short comic reviews based on initial, lizard-brain opinions. Arranged from BEST to WORST.
Kick-Ass #3 gets an A from Albo
No really! I didn't like the second issue either! But I promise, this one picks the story back up in a big way. There are a lot of refreshing story bits that support the "real world" setting. For instance, after our hero's first successful outing as a vigilante he comes back to school acting like a total badass, showing his classmates a YouTube video of the dustup. He doesn't reveal that he is "Kick-Ass," but it's refreshing to see a teen superhero that doesn't keep acting like a dork and go to great pains to disassociate himself with his alter ego. I mean, what teenager actually HAS that kind of discipline? I don't think I'd even be able to keep my secret identity secret for a week. Anyway, the book's only OK for the first 15 pages or so, but the ending... I haven't audibly exclaimed in surprise at a comic in a long time, but the end of this issue is a real "holy shit" moment that adds a nice wrinkle to the world of Kick-Ass.
Reviews for Locke & Key #5, Young Liars #2, Red Mass for Mars #1 and Wonder Woman #21 after the jump!
Locke & Key #5 gets an A from Albo
If you're not already reading this book I pity you. You're missing out on one of the most consistently good reads on the shelves right now. And forget catching up, back issues of this are tough to find (though a couple of recent reprints do help). Joe Hill's storytelling is very fresh for the comic book world, and his characters are shockingly well developed after only five issues. Also, where many of these non-superhero books written by non comic book writers tend to work better in their collected format, Joe Hill shows a surprising adeptness at maximizing the monthly issue format. Every time you pick up the book you know you're going to get a complete experience, not just an arbitrary slice off the story's timeline.
Young Liars #4 gets a B from Albo
This book is killing me. I hated the first issue, loved the second, used the third as toilet paper... And now I like issue four. I don't like being in this limbo where I'm not sure if I like a book or not. Love it or hate it, I just want to know! Like the second issue, this one stays in one setting long enough for actual story progression to take place, rather than using the supremely confusing time-hopping format of what I shall henceforth call "The Odd Issues." It's a bit of the problem that none of the characters are likable in the least, but there's almost enough wild adventure to make up for it. So I guess I'll be back next month. *sigh*
Red Mass for Mars #1 gets a B from Albo and a C from AHR
AHR: Does anyone actually enjoy reading a character who can see the future? It's always so much smugness and "I know" jokes. I don't like it in Layla Miller and apparently I don't even like it from Jonathan Hickman, who had two major hits with me in Pax Romana and Transhuman. On the plus side there's a fun recap of the various ways that humankind will attempt to destroy itself in the next 100 years, and I enjoyed wannabe National Front superhero who uses his power to force English on the entire world. I'll probably stick with this series if just for tangents like these.
Albo: What is Jonathan Hickman's problem? Why does he feel the need to write so many books at once? Why doesn't the poor bastard take it easy? I feel like every time I pick up an Image comic there's an ad for a NEW Hickman book. What a crazy. Anyway, after having mixed feelings on the other two books of his I've read (wowed by Pax Romana, bored by Transhuman), I'm happy to say that this was a really enjoyable read. Hickman has a real knack for pulling extremely complex societies with rich histories and interesting power players out of thin air. Some bits I found distractingly unbelievable (the superhuman trying to destroy all languages but English), but as a whole I'm totally pumped to see where this goes.
Wonder Woman #21 gets a D from AHR
Wonder Woman meets Beowulf, much olde thyme englishe ensues. Even Gail Simone can't make me enjoy this armored-men-on-horses stuff. When I pick up a superhero comic, one of DC's "big three" no less, I want to see some superheroing.
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Summary only...
Short comic reviews based on initial, lizard-brain opinions. Arranged from BEST to WORST.
Buffy The Vampire Slayer Season 8 #15 gets an A from AHR
Oh noes! Here endeth the Buffy/Satsu storyline, aka the ship that launched a thousand fics. I'll certainly miss the lesbian jokes, but this issue wraps up with excellent action sequences, heartwarming and heartwrenching drama, and a satisfying resolution that still opens up a few doors. Also lots of lesbian jokes.
Detective Comics #845 gets an A from AHR
Too much fun. Batman and Detective Chimp sitting at their computers IMing each other may top out some people's tolerance for silliness, but i found it delightful.
Reviews for H.P. Lovecraft's Haunt of Horrors #1, Omega: The Unknown #9, Secret Invasion #3, Trinity #1, Ultimate Origins #1 and House of Mystery #2 after the jump...
H.P. Lovecraft's Haunt of Horrors #1 gets an A from Albo
Kind of a weird idea. Celebrated underground artist Richard Corben does graphic adaptations (and expansions) of H.P. Lovecraft short stories and poems, and includes the original source text after each story. This works really well when the source is a vague poem that he has built an interesting narrative around, but when the source is a short story with more evocative imagery than the adaptation, things become a little less satisfying. He did the same thing with Poe, but I haven't gotten the chance to read those. All told, a cool experiment and a welcome serving of Corben's unique art.
Omega: The Unknown #9 gets a B from Albo
This book is so consistently good that for some reason it hardly excites me anymore. That sounds cynical, right? But I'm sitting here flipping through it and thinking "that's great, that's great, that's good too" but I know that when I was reading it I was a little bored. What's the deal? Well, in my heart I know this is a classic story that I'll be re-reading for years to come. The end is near!
Secret Invasion #3 gets a B from Albo
Ho hum. Very skeletal storytelling. Feels like an outline for tie-in issues to elaborate on, a very Marvel storytelling method I strongly disapprove of. Yu's art is still amazing, though, and the confrontation between Skrullica Drew and Tony Stark is pretty exciting though I'm pretty sure it's just some Skrullian mind games.
Trinity #1 gets an A+F=C+ from AHR
Wow. The first half of this book, in which Bruce, Diana, and Clark meet up for lunch and talk about a spooky dream they had, is awesome. I love any time attention is drawn to how insane Batman's "Bruce Wayne" persona is, and here Wondy actually calls him on it. But the second part of this book is a droning mish-mash of expository detritus featuring characters and situations that I have zero interest in, and after spending a fun lunch with my oldest DC pals I have no desire to jump into a red and green space land full of proselytizing god/alien creatures. Perhaps the writers are trying to set up two bands of alien/god creatures, since that description extends to the titular trinity, with the intention of showing us how much more interesting the group who act like humans are. These two very segmented stories are perfect examples of what I love and hate about DC.
Ultimate Origins #1 gets a C from Albo
There's nothing outright bad about the first issue of this major Ultimate event, but it just doesn't make enough of a statement right off the bat to justify its existence. You can hardly blame Bendis, though. I mean, how many universes can he be expected to turn upside down at once?
House of Mystery #2 gets a C- from AHR
Bleh. Reads like second rate Neil Gaiman, with really self-conscious and over-stated fantastical dialogue. It's brightened up by some fun touches (lady pirate bouncer) and a few pages of Jill Thompson's moody cartoon art, but what a let down after such a gripping and disturbing first issue.
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Summary only...
Short comic reviews based on initial, lizard-brain opinions. There are probably some spoilers herein. Arranged from BEST to WORST.
Dead, She Said #1 gets an A from Albo
The more of Steve Niles' work I read the more I like the guy. I picked up 30 Days of Night when it was on the stands back in the day and came away feeling it was a little thin. But Simon Dark, among other things, has made me take another look. This horror noir story starts with a private dick waking up and cracking his way out of rigor mortis... That's right, he's "dead," shot through the belly and he's determined to figure out why. Giant ants may be involved. Smart, original, well worth your dollars.
Reviews for Amazing Spider-Man #560, Mighty Avengers #14, and Fantastic Four #557 after the jump!
The Amazing Spider-Man #560 gets a B from Albo
Not much more to say that I didn't say in last week's review of #559. Just a solid Spidey story from Dan Slott with killer art from Marcos Martin. We learn a little more about "Paper Doll" this week, and she's turning out to be a pretty cool villain. Different, at least. Also this ish contains the return of a major Spidey character we haven't seen since this whole Brand New Day stuff started...
The Mighty Avengers #14 gets a B from Albo
Frank Cho being so slow of an artist forced Bendis to approach his Avengers books in an interesting way--he was trying to thread the two books into one ongoing story, but since Mighty was taking so much longer than New he ended up creating a lot of flashback stories as filler for New in order to keep the books on roughly the same timeline. Well now that's become a real style of his, as most of his Secret Invasion tie-in stories skip around in time more than a season of LOST. I say it works, even if it does get a little tough to put all the pieces together in my head. This ish in particular is about how the Skrulls have approached the "problem" of the Sentry, and it's a testament to the new era of comics that their solution isn't just "hit him really hard," because as we (and they) know, that never works for the bad guys. Well, except maybe Doomsday.
Fantastic Four #557 gets a C from Albo
Ahem. To defeat a giant robot that pummeled every Marvel hero in existence and destroyed dozens of military complexes around the globe, Mister Fantastic builds a bigger robot (which he inexplicably dubs "Anti-Galactus"... wtf?) in an AFTERNOON and bases his whole battle strategy on the ASSUMPTION that the robot's creator included him in a list of people that it couldn't harm. When he could have, oh I don't know, CALLED HER JUST TO MAKE SURE. Lazy storytelling from a guy that's probably too busy out promoting the movie adaptation of Wanted to give a damn. On a positive note, there is a really sweet scene at the end (which I woulda given an "A" if it were a standalone story) where Reed takes Sue out on an anniversary date--back in time to the moment they first met. And as a gift he gets her a ring with a "stone" that's actually a micro-galaxy with "over forty trillion couples ... all loving each other like I love you." What kind of softy have I become when I open a comic and prefer the date scene to the giant freaking robot fight?! Am I losing my Geekanerd touch? Or is Millar just better with character moments than action?
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Summary only...
Short comic reviews based on initial, lizard-brain opinions. There are probably some spoilers herein. Arranged from BEST to WORST.
Amazing Spider-Man #559 gets a B from Albo
Dan Slott returns as the best of the Brand New Day herd. The real star of the issue, though, is artist Marcos Martin who throws down some really good looking pages that come off as something like a Tim Sale/David Lapham lovechild. The only problem with the art is some ugly ugly ugly coloring in a night club scene that buries Martin's work under a layer of splattered Day Glo vomit.
Wolverine: The Amazing Immortal Man and Other Bloody Tales gets a B from Albo
This one-shot contains three David Lapham-penned short stories that take place in different eras of Logan's non X-Man life. The first, a story of Logan working as a circus act in the 30s, is by far the best, even if it doesn't quite fit with what we know of his history. Only the third story falls flat, mainly because it just seems like a very normal Wolverine story after you've been given two alternate perspectives on the ole Canucklehead.
Reviews for Newuniversal: Shockfront #1 and Young Liars #3 after the jump.
Newuniversal: Shockfront #1 gets a C from Albo
I'm willing to bet that my inability to grasp what this comic is going for is 100% due to the fact that I'm completely ignorant of previous newuniversal stories. That being said, this book certainly didn't do anything to make me want to rid myself of that ignorance.
Young Liars #3 gets a C from Albo
Yes, this is the third review this week wherein I evoke the name of David Lapham. Call me a fanboy. I was less than impressed by this issue for many of the same reasons I wasn't sure about the first issue... The story's chronology skips around so much that I have a hard time getting caught up in the stakes of any given moment. Hopefully things settle down a bit for issue four (like they did in issue two) so I can relax and really get into this promising story.
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Summary only...
Short comic reviews based on initial, lizard-brain opinions. There are probably some spoilers herein. Arranged from BEST to WORST.
Batman #675 gets an A from AHR
Excellent emotionally-charged art from Ryan Benjamin, and a story from Grant Morrison that on one hand feels like covered ground (Bruce's girlfriend senses a dark side), but on the other is done with a raw sense of urgency and ugliness that indicates a very dark road to come in the R.I.P. storyline.
Hack/Slash #11 gets an A from AHR
I dropped off this book for a while cause I thought it was getting a little cheeseball. But this issue is great; it picks up on old plot threads, yet also has a simple, impacting done-in-one storyline. It's nowhere near as depressing as the last issue, but still maintains some emotional depth around main character Cassie, who is thoughtful and reserved about her sexuality in a way that's highly unusual for an ass-kicking comic heroine to be. I'm hooked again.
Ultimate Spider-Man #121, Fall of Cthulhu #11, The Spirit #16, Countdown #01 and Flash Gordon #0 all after the jump!
Ultimate Spider-Man #121 gets an A from Albo
I haven't read an issue of this comic since the first couple of years it was on the stands. I never could get past Bagley's art to fully enjoy Bendis' great storytelling. Now Bagley is gone and the team of Stuart Immonen and Wade von Grawbadger are producing some really great stuff. They are capable of drawing teenage kids that actually look like teenage kids and have oodles of personality. Oh yeah, and Bendis is still a great writer.
Fall of Cthulhu #11 gets a B from Albo
I picked up Cthulhu Tales on a whim last week and really enjoyed it, so I took a chance and hopped onto this book to see if it provided the same level of solid horror storytelling. The verdict: Pretty much. It doesn't really do anything new, but the ominous sense that the people in this small town are about to face some truly horrific shit provides a chilly enjoyment.
The Spirit #16 gets a C from Albo
*Sigh* I miss Darwyn Cooke. This tale is such a by-the-numbers murder mystery you wonder why they bothered.
Countdown #01 gets a D+ from AHR
This issue opens with Jimmy Olsen recounting a bad dream in which he was given the impossible task of writing a good story about the post-52 multiverse. Get it? Bet the fans who bought this crap every week for a year are loving that one. Though apparently Harley and Holly Robinson are living together now, so maybe it was all worth it.
Flash Gordon #0 gets an F from Albo
Oh God why? The storytelling in this preview book is nonsense. The art looks like the anime crap you can find painstakingly scrawled on notepaper in every high school in America. And not content to just draw poorly, the artist reuses the same drawings over and over again. Not in succession or for comedic effect but just whenever he doesn't have the energy to draw a character's face again. Which for some reason is a lot. You'll see what I mean when we do Panel Discussion this weekend.
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Summary only...
Short comic reviews based on initial, lizard-brain opinions. There are probably some spoilers herein. Arranged from BEST to WORST.
The Damned: Prodigal Sons #1: A
The ignorant S.O.B that I am, I didn't realize this issue was a continuation of previous material when I picked it up. That being said, I had no trouble hopping on and getting into the demonic noir world of The Damned. Honest to goodness solid cartooning spiked with a story I actually haven't read before makes this my fave of the week. -Albo
X-Men: Divided We Stand #1: A
I heart emo superheroes! Abadonment is the theme du jour, or more specifically the sense of betrayal and loss that the x-kids feel after coming back from Iraq, er, I mean whatever went on in Messiah Complex. I didn't read that, but like many a great superhero comic, these stories work out of context as tales of the (meta)human experience writ large. -AHR
Cthulhu Tales #1, Pigeons From Hell #1, Powers Annual 2008 and Captain America #37 all after the jump!
Cthulhu Tales #1: A
As you'll see, this was a week of experimentation for me. I know jack diddly about the Cthulhu mythos, so why I picked up this anthology book from Boom! Studios is a mystery. Actually, it's pretty simple: I like Steve Niles' work on Simon Dark and his name was on the cover. But enough about me. Every one of these stories was a great little nugget of horror goodness, especially Niles'. Their only fault is that at the end of each I wanted more more more. Except maybe the last one that was about a bunch of fat sports fans. -Albo
Pigeons From Hell #1: B
If you can believe it, this book also has a backstory that I was unaware of before I picked it up. Apparently the story was originally told by Conan creator Robert E. Howard, and this is just a "modernization" of his tale. The story is pretty contrived and the dialogue is way hokey, but the energetic art by Nathan Fox and superstar colorist Dave Stewart is enough to make me not regret the purchase. -Albo
Powers Annual 2008: C
You know, there may be something great about this ish (primarily written by artist Mike Oeming) but I'm really not sure what it is. It's a story about cavemen fighting. Maybe it's an allegory? Maybe it's just boring. -Albo
Captain America #37: D
If you have friends who think all comics are about smarmy, laconic, self-righteous manly men in tights, DO NOT give them this book. Cause there's a lot of that crap, and it's boring. All posturing and intense stares, zero drama. -AHR
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Summary only...
Short comic reviews based on initial, lizard-brain opinions. There are probably some spoilers herein. Arranged from BEST to WORST.
B.P.R.D 1946 #4: A
Dense story and crazy action, a winning combo in my book. In past issues this book's adventurous tone has felt bogged down by some extremely grim plot-points, but this issue focuses on more fantastic elements of the story and wisely pays extra attention to the best character to come out of this series, Little Evil Russian Girl. -AHR
Young Liars #2: A
David Lapham's Vertigo book reads a lot like his on-hold opus Stray Bullets, but with enough twists to make it feel like it's own animal. The story of a desperate kid's life falling apart has enough "oh shit" moments to make it stick in your mind for quite some time. -Albo
Simon Dark, Wild Cards, Amazing Spider-Man, Wonder-Woman and Fantastic Four all after the jump!
Simon Dark #7: B
Violence, violence! The most unsettling issue yet with a heavy emphasis on scrazy zombie carnage, but also in evidence are many elements of what has made the book great from the start; perfectly timed moments of deadpan humor, excellent artsy art, and a gentility to the character of Simon which strikes a sad contrast with the realistic vision of Gotham he inhabits. The only thing missing is a memorable storyline. -AHR
Wild Cards #1: B
Based on a series of sci-fi novels that started in 1987, this book is about an alternate earth where an alien virus has killed 90% of humans (referred to as "drawing the Black Queen"), horribly mutated 9% (called "Jokers") , and given superpowers to 1% (those would be the "Aces"). Pretty exciting first issue that definitely makes me want to stick around for issue 2. -Albo
Amazing Spider-Man #556: B
A little boring, but the art is pretty fantastic. Three pages of fat Spidey are funny. -Albo
Wonder Woman #19: C+
A lot of the resolutions in this issue hinge on one character convincing another character to do something huge by offering them a song-lyricesque platitude about peace and understanding. I guess that's superheroes for you but it's less than I expect from Simone. I do like the way she's writing Wonder Woman, combining the military detachment of Batman with the humanitarian idealism of Supes....she's an interesting balance between the two extremes. -AHR
Fantastic Four #556: C
What the heck? I was so excited about this book a couple issues ago, and it's already devolved into mediocrity. The art (which I praised extensively) has become a hard to decipher jumble. The characters for some reason are all dumb as bricks (when arriving at a battle scene where a killer robot has demolished 22 heroes including Iron Man, the Sentry, Wolverine, Dr. Strange and others, the Thing says "Take it easy, I got this guy."). And then all those heroes that were bleeding and unconscious all spring back into action at once, none the worse for wear. Sigh. -Albo
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Summary only...
Short comic reviews based on initial, lizard-brain opinions. There are probably some spoilers herein. Arranged from BEST to WORST.
American Splendor #1: B
New home at Vertigo, same old book. This ish has eight stories, some better than others (the David Lapham-illustrated lead story about a visiting "fan" stands out) and featured without ads. Yay! - Albo
Buffy the Vampire Slayer #13: B
High on situational comedy, low on plot progression, lol racism. -AHR
Omega: The Unknown #7: B from Albo, B- from AHR
While perhaps not quite as tight as last issue, in general this book just keeps getting better. The intro comic "drawn" by the titular hero is extremely cool and I really wish I didn't have to wait for the last three issues because I'm really pumped to see what happens next. -Albo
Issue includes a beautiful comic-within-a-comic sequence by Gary Panter, a very funny scene about movie theater etiquette, and some unsatisfyingly rapid plot development in the last few pages. It lacks the hypnotically smooth story progression of past installments, and feels like an issue without a theme. -AHR
Reviews for The Walking Dead #48, Secret Invasion #1 and Kick-Ass #2 after the jump!
The Walking Dead #48: B-
We finally get to the action Kirkman has been promising for months, and though the events certainly shake up the long stabilized status quo, the extremity of what happens left me more stupefied than upset. Probably wouldn't be an issue if I was reading this in a trade, but as it is this issue feels like an story experiment and not a chapter of a larger whole. -AHR
Secret Invasion #1: C
Ho hum beginning to this year's Mega Marvel Event. There's a good twist near the end that I really hope turns out to be legit, because it would make the oncoming story much more interesting than the big fistfight I fear it's going to become. -Albo
Kick-Ass #2: D from AHR, D from Albo
I wish the main character actually had died in the first issue. That would have been some realistic (and nihilistic) shit. Instead, mere months after being stabbed, beaten and hit by a car, not only is this skinny nerd eating non-tube-based meals, he is trashing four gigantic gang members and winning over the criminally depraved inhabitants of the ghetto (lol racism). You can ultra-violent it up as much as you want, it's not hardcore unless there are consequences. -AHR
I told a lot of people about this book after thoroughly enjoying the first issue, and now I have egg on my face and it makes me angry. This issue was boring as all hell: the first half is all about our hero sitting in a hospital bed and the second half ditches the "realism" that I so enjoyed about the first issue and has our hero kicking the crap out of a group of beefy hoodlums. This is a skinny kid that's never had any fight training, mind you. But even without the realism problem, this book has already jumped the shark in terms of writing quality. There wasn't a single satisfying moment to be found within these pages. -Albo
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Geekanerd's second attempt at writing short comic reviews based on initial, lizard-brain opinions. Arranged from BEST to WORST.
Blue Beetle #25: A+
This comic makes me want to be a better man. - AHR
Mighty Avengers #11: A
Probably the best Dr. Doom story I've ever read. Really! - Albo
New Avengers #39: A
Finally the Skrulls are here! Too bad they're pansies. Aside from the lame Skrull fight this is a fantastic standalone Echo story. - Albo
Teen Titans #57: A
An entire issue of Ravager sneering, quipping, and being excessively violent; that, my friends, is exactly what I came to see. - AHR
All-Star Superman, Transhuman and Gunplay after the jump...
All-Star Superman #10: B+ from AHR, C from Albo
A collection of moments that are alternately confusingly plot-heavy and timelessly emblematic of why folks love Superman. The issue feels disjointed without a single clear narrative line to reassure the audience that the book will eventually become coherent, but like most of Morrison's work it's worth the effort. - AHR
Trying to do way too much at once. Where the hell is Morrison going with this? - Albo
Transhuman #1: B from AHR, C from Albo
Setting a story about genetic engineering in the innately evil world of corporate pharmaceuticals is a stroke of GENE-ius, and despite a constraining "documentary" storytelling device (which visually translates as all talking heads all the time) it's a surprisingly fluid read and if you make it to the middle you get a great comedy interlude with monkeys and violence and X-Men jokes. - AHR
Comic masquerading as a documentary on genetic engineering and human manipulation. All info, no story, no thanks. Hickman's Pax Romana is a much better read with similar themes. -Albo
Gunplay #0: C+
The first bit of a soon to be released graphic novel, which judging from the first few pages I thought was going to be an anti-racist revenge fantasy/vaguely racist castration anxiety nightmare, and though this issue indicates a story more thoughtful and nuanced than that, you get the sense that the preview ends before the interesting stuff starts, which seems like a gamble, marketing-wise - and by the way, I'm not crazy for thinking there are castration themes in this book, like mid-way through a dude gets his balls grabbed. - AHR
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Every week Geekanerd joins other comic writers from up and down the information superhighway for Pop Culture Shock's Picks & Pans. Here's Albo's contribution to this week's edition:
ALBO'S PICK: New Avengers: Illuminati #5 (Pages 1-8)
This series is at its best when it’s just the guys (Iron Man, Professor X, Black Bolt, Namor, Dr. Strange, Mr. Fantastic) sitting around and chatting. There’s a great group dynamic that comes out of their distinct personalities and it’s been a blast to read each month (or so). This issue takes that dynamic and turns it on its head a bit, because now these characters have come through the Civil War and Stark has alienated everyone, especially Doc Strange who has gone underground and created his own Avengers to rival Iron Man’s. Also, World War Hulk saw them forced into brutal gladiator-style fights with one another, and Namor’s empire recently crumbled around him without any of these guys offering help. And as if all that wasn’t bad enough for their friendship, add to the mix that there is a Skrull invasion and any of them might actually be a Skrull, and you get a very tense—and entertaining!—conversation. The end of these eight pages provoked an audible gasp from me, something I’m not sure has ever happened to me before while reading a comic.
Read Albo's shocking pan after the jump...
ALBO'S PAN: The rest of New Avengers: Illuminati #5
And then a goofy-looking Super Skrull with Black Bolt legs, Namor Arms, and Cloak of Levitation-patterned Iron Man armor appears and our heroes beat him up and kill him. And then two more goofy-looking Super Skrulls show up and our heroes beat them up and kill them too. And suddenly, what began as a gripping study in trust and friendship becomes another comic with angry guys punching each other. At the beginning of the issue the Skrull threat is a scary, mysterious, amorphous thing, and by the end it’s just another fistfight. What a waste.
Read AHR's review of Lucha Libre #2 at Pop Culture Shock's Picks & Pans.
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Our friends over at Pop Culture Shock have invited us to be a part of their Picks and Pans feature this week, and so we're running our contributions here in place of our usual Snap Judgments. The reviews are a bit more in depth than Snaps, and they may not be quite as spoiler-free. Consider them "spoiler lite".
Albo Picks Special Forces #1
Written and Drawn by Kyle Baker
Usually when comic books reference real world politics, both directly and allegorically, I cringe so hard my testicles crawl up into my ears. For some reason, it seems to be a really hard thing for a comics writer to pull off without appearing to be a neophyte fishing for a couple of “hell yeah!”s. This book, by notoriously political Eisner and Harvey award winner Kyle Baker, is all about politics (specifically troop enlistment), yet somehow manages to keep my gonads mostly clear of my cochleae.
The story starts with a desperate Sergeant Ramirez, who scrapes some wretched souls (psychos, criminals, the physically unfit) from the bottom of society’s barrel and enlists them in the military in order to reach a recruitment quota that will keep him from having to go back to war himself. Unfortunately for him, one of his recruits gets killed attempting armed robbery the day he is set to ship out and Ramirez finds himself back in Iraq, assigned command of the miserable lot he sent to war.
The book is drawn in Baker’s usual cartoony style, with exaggerated action, bold color choices and a busty protagonist whose clothes become scantier and scantier with each new page. In spite of the naked girl and generally comedic tone (or maybe
because of this),
Special Forces is the grittiest, most emotional and meaningful war comic I’ve ever read. I’m not claiming to have read many, but this sure beats all that Garth Ennis schlock. There is palpable danger threatening the squad, a point made clear by the fact that almost all of them die by the end of this issue. My heart wept for these people as things kept getting worse, and I can’t wait to pick up next issue and cheer for them as things get better. If they get better.
AHR's Pick and Pan right after the jump!
AHR Picks Batman #670
Writer: Grant Morrison
Art: Tony Daniel
It’s finally here; Ra’s Al Ghul: The Final Resurrection Tour! This issue’s cover indicates a mere “prelude” to the big comeback, but rest (resurr-rest?) assured the man himself does in fact appear in this story, and he’s less than pleased to find his grandson running around in a dead Robin’s costume and talking all sorts of sass. Ra’s Al-Ghul vs Damian Al-Ghul-Wayne? Ra’s for the win, I’m thinking. Last month marked the end of artist J.H William III’s fantastic three-issue run on this series, and I was all set to talk about how I missed his consistently jaw-droppingly gorgeous art. As it turns out, I didn’t have time to reminisce about artists gone by with everything going in this issue. Morrison sets the scene for a epic-scale story about the struggle for control of the League of Assassins and (sniff) the bonds of family, but instead of feeling like a rev up to a big storyline, the action starts on the first page and doesn’t stop. The issue is filled with actual gasp-inducing surprises, which is something of a rarity when so many DC superhero books simply kill (or appear to kill) a character rather than think of more original plot twists. Here, there’s something exciting on every page, not the least of which is a special appearance by World Public Enemy. Remember that awesome band? Kinda like the Misfits from Jem, but more super-villainous? C’mon, they were featured in issue of Batman from 1966, remember? No, neither does anyone else, except of course for Grant Morrison, Champion of the Forgotten. Here he throws the pop-tart trio into the mix as a mere diversion, but much he did with the men of the Club of Heroes, Morrison gives these flash-in-the-pan villianeses funny and instantly recognizable characters, and their brief appearance just about steals the show.
AHR Pans Countdown #26
Writer: Paul Dini
Art: Tom Derenick
I hate to write a bad review of Countdown when the book already takes so much flack on the internet, but honestly it was the only book I read this week that I didn’t enjoy, and this feature is called Picks and Pans. But it pains me to pan Countdown, because Paul Dini is one of my all-time favorite comic book writers. Hell, he’s writing some great stuff currently on the stands - get yourself an ish of Detective Comics and Madame Mirage, and that’s a recipe for a good afternoon. Unfortunately, in twenty five issues as Head Writer on Countdown he has not succeeded in shaping this omnipresent series into entertaining read. We were told this book would have a slow start, and that the issues of exposition were necessary for a big payoff. Accepting that, I’ve been waiting for the twist that would kick start the real action, but here at the halfway mark things have still been moving at a glacial pace in dealing with characters who keep talking about the same thing; Kyle and Jason don’t like each other, causing Donna to roll her eyes. Trickster throws a calculatedly tame gay joke at Piper, who in turn rolls his eyes. Between these repeating character dynamics and the endless fake-science explanations of the Karate K 
Short comic reviews based on initial, lizard-brain opinions. Arranged from BEST to WORST.
